While the context and narrative itself sets up obstacles, the film often uses visuals to help express Clarice’s status in the order of things. A recurring visual motif is Clarice surrounded by taller men, dwarfed and brought down by their stature. Yes, Jodie Foster is a short woman, just a few inches over five feet, but the film often exaggerates that discrepancy to express her challenge in overcoming a patriarchal society that literally looks down on her. […]
The film camera also never objectifies Clarice. Throughout the film she is presented as an object of the male gaze by the characters in the narrative, but the camera does not assume this perspective of the male look until the end of the film. It’s at this point then that Clarice punishes and banishes the male gaze for objectifying her. [x]
Neon Genesis Evangelion by Amashita Ikuto, Masuo Shouichi, Suzuki Youta & Yoshizaki Hibiki, Takeshi Takakura, Shinji Higuchi, Nishio Tetsuya from Studio Khara 2014-2015 Calendar (28 illustrations)
The 2nd one is a "Gunbuster-Nadia Secret of Blue Water-Evangelion" crossover. The last ones are quite alternative.
all i want is to leave this world as a positive influence for the people who met me
i just want to improve one life, and if i can do that then my time on this planet wasn’t a waste
all i want for the people in my life is for them to be as happy, healthy, and safe as possible
GET IN THE FUCKING ROBOT, SPIKE.
They make this, I will buy it. I will so buy it.
He once fixed my VCR for free! He didn’t judge!